The whole thing could teeter over at any moment and He’s got the whole mix of sounds: from malicious half-sung grunts toĭizzyingly overloaded verses to tracks where he just bounces around yelping Why the Detroit sound has taken off, but he also stands freakishly apart from I’M IGNORANT AND RUDE DON’T GIVE NO FUCKS I AIN’T USED TO HAVE SHOES (Sada Baby, 2017-2020)Ĭomments don’t lie, and when someone said there Ain’t no grind like the Midwestīelieve me they were telling a Gospel truth. Larry died, man, I cried twice (YouTube playlist) He found the voice to turn hisĮxperience into art. Lazily over RnB oldies and bombastic trap beats. Singular vision means he’s now at a point when he can parody his own whisper, rapping Memories which most of us would probably find our lives collapsing into 21 hasīuilt his whole persona around them. These songs sketch a liminal period of life and Or ‘Close My Eyes’ when he angrily asks god There’s ‘Deserve’- a true tale of traumatic and life-changing violence in As those autobiographical aspectsĬome into clearer focus, the mask of the Slaughter King is peeled back even Through, like on ‘Lord Forgive Me’ when he confesses ‘I had to get some Moments when his voice seem ruptured by guilt seep Like all gangster rappers, conscious mythmaking mingles with real lifeĮxperience in 21’s raps. To tracks which detail street robberies and drug violence. If there’s any shock value at all it comes from the lolling ambience of the beats Through the hypnotic beats of ‘Savage Mode’, he barely breaks character Whose experiences of hell are lucid, and recent. Each threat- howeverĮxcessive- is delivered in a slow and sinister half-whisper: the voice of a man Like ‘Mind Yo Business’ and ‘Lord Forgive Me’, that world is one of facelessĬorpses, bodies savaged by demons and riddled by bullets. His world-building conveys a mood without overselling it. When they had me in that cell, I was beefin’ wit time (YouTube playlist) The Pharaoh & Mike Sherm - ‘Charlie 2’ (September 2019) Just a misanthrope here to sound out his nastiest thoughts. But he seems to rap best on tracks like ‘Sum It Up’Īnd ‘Onna Gang’ when he embraces his role of pantomime villain for what it is: Paranoid and fatalistic (‘Ridin’, ‘Long Run’, ‘Right Hour’) other times brazenĪnd fearless (‘Paramedic’, ‘When U See Me’) and sometimes he’s all of those Of his verses ranges from righteous indignation to gleeful hatred. Of syllables landing on beat and each line laced with venom. He delivers them in angry bursts: flurries Yhung T.O outshines his (former?) groupmates with his meandering hooks, DaBoiiĪlways hits the hardest with his raps.
Of SOB x RBE at the tail-end of 2020, and though there might be times when Cell, I was beefin’ wit’ time…(Best of DaBoii)